The latest feature of Netflix by Anthony and Oeo Rousseau, "Electrical State", is one of the most experienced films since 2025, though not for reasons that directors or strimmer would probably like. In the months that led to their debut on March 14, the conversation focused mostly to the detriment of production. Reportedly, he made a whopping $ 320 million, currently the most expensive film in Netflix's history. Obviously, Roussos do not come cheap, neither the stars Chris Pratt or Milie Bobby Brown (which, given her involvement in "Stranger Things" and Franchise "Enola Holmes"It has become a home-made A-Skir Home film), but when people watch such a price, they expect a Chinese world-class spectacle. They want something similar to Rusos's "Avengers".

Unfortunately, they did not want an "electrical state". Based on Simon Stilenhag's graphic novel for 2018, the film - who focuses on a young woman (Brown) and the sensitive robot looking for the former former brother of the former - earned reviewing reviews through the board. Currently there is a wicked grade of 15% Rotten tomatoes (/Movie Whitney Seibard despised), which can diminish the viewer's interest in the film. In any case, it is safe to say that Netflix has not spent $ 320 million to fuel a movie that according to The deadlineHe generated only 25.2 million views during his open weekend. By comparison, it is very short of the debut for Enola Holmes 2 (32 million), "Return to Action" (46.8 million) and a very reasonable budget (and far superior) "Rebel Ridge" (31.2 million).

So what does this mean for Roussos and Netflix?

While no party will come out of the "electrical state" smelling of roses, the serious insufficient shape of the film will almost certainly be a smoothing of the bad stamp for both Rusos and Netflix. The film duo will move to the highly awaited "Avengers: Doomsday" for the Marvel studio, while Netflix will simply miss and, if something, does not want to spend so much money on the IP in the future.

This is what stinks about the "electrical state". While there was no shortage of the chadenfroud expressed over the prapled, Pro-a rusos Taking it on the chin commercially and critically, the only people who will probably suffer are the directors trying to make a blockbuster that is not a franchise with goodwill and audience that are tired of having the properties that have broken the throat. Excellent film shooting requires risk taking, and Netflix will stop taking those risks if a burden on spoiled publicity is all it receives.

I would argue that Russo did not earn the confidence expressed by Netflix on the "electrical situation", as each of their no Marvel efforts was bad. Hopefully, this will not harm the talent friendly for Netflix as EreereMi Sauler, who made two great, attractive original films ("Hold the Darkness" and "Rege Ridge") for Strimmer. We have to wait and see how this is played.