Sylvester Stallone's career was so fascinatingly diverse. The man who wrote one of Rocky's 20 -century films has always had a prestigious self -confidence that he needs to succeed and demonstrate as much as in the past five decades of his career. Just like the Italian stall, Stallone always manages to gather only when it seems like it is down for the count. He did so in the early 1990s with Clifancher and did so in the early 2000s with "Rocky Balboa", the film that saved the Rocky franchise and gets out of ambiguity.

But to get rid of the ashes, he had to go down in the first place and there were some extraordinary descent in the career. Even before you experience a real nadir, Stallone was responsible for directing a critical flop It remains one of his three films that won the frightened 0% rating on rotten tomatoes. On the other hand, only Stallone and Harrison Ford scored the incredible box office feature The blockbuster number one six decades in a row. In the 1990s, they saw one of the best action films that were once made by Clifancher and one of the worst in "Judge Dred". Every actor's career is changing, but there is something about Stallone's excellent changes and his ability to always bounce, making his filmography particularly noticeable.

Spiced during that fascinating filmmaking is really surprising and at times pure bizarre phenomena, such as when pictured appeared in the Bollywood movie himself.

Sylvester Stallone has appeared in all sorts of poorly advised features, from the disappointment of a direct video, which was "Angelo's retaliation" to the film that almost never came out because of bad testing for a small film called "D-Tox". Stallone even starred in a disappointing Steven King crime thriller.

These sly stink occurred during the low point in the early 2000s in the actor's career ahead of Rocky Balboa in 2006, which saw Stallone appearing again as the The star that was always. After this, the Veteran Starwar led a series of films that paid tribute to the actions of the 1980s, two decades before the films "Expendables". The first film arrived in 2010, and saw Stallone in full action mode (yet He initially wanted "The Expendables" to be comedy). However, prior to the release of the film, he used the appetites of a brief appearance in a comedy for action in Bollywood, which he saw as he was handing over the fights in A. Frankly decayed combat scene.

"Kambakt ICK", which is roughly translated as "damn Loveubov", focuses on link to Loveube-Homrase between Hollywood stuntman Virai Shergil (Akshay Kumar) and student/medicine student Simrita Rai (Karena). It is a wild driving set up in Los Angeles that mixes romance, comedy and action, with producer Sajid Nadaladala talking about the film as a Hollywood meeting-Bollywood extravagance. "This will be the first Indian film to be shot in the universal study," he said Bollywood Hungana. "We have permission not only to shoot at the Universal Studio, but also to use their logo (...), the film will have some big Hollywood icons that make their look in the movie." These great Hollywood stars includes Dennis Richards, Brandon Ruth and the pictures, who had by far the biggest and strangest, come in the film.

The main scene of Sylvester Stallone in "Cambakt Ishk" is a kind of brilliantly unused action sequence we expected from Bollywood, and sees the Hollywood Star Rescue Kareina Kapur Simrita Rai of a gang. Only in this pleasant over-the-top scene is not clear, but Rai and her groups face a gang of generic thugs, one of whom seems to be one of the edge of retirement of his days as impersonal gastraction. Once some horrible called lines are thrown back and forth, Sai runs after her life, just to collide in a hood, which reveals that it is no one other than similar.

Of course, the Hollywood action hero of his standing cannot face a helpless woman to be threatened by thugs, and he quickly begins to easily place his attackers. Things are becoming more absurd as the fight continues, with the sink breaking a group of thugs brought them between the Wallid and the car that is pushing it with bare hands. Then, it pulls the parking gauge directly from the sidewalk and we get some celebrity shots from exchanging various thugs across the face with slow movement. In the end, the skills of the pictures have proven too much for the attackers who are withdrawing from the scene, leaving Rai and her friends thanking Stallone for saving their lives.

There is also a award ceremony scene It covers real -world footage of Starswells like Tom Cruise and Iaulia Roberts arriving on a red carpet with original footage watching Stallone appears once again to help Akshay Kumar's Akshay Kumar Award. The character of the cascader sings praises in the picture because it accepts the honor, which is a bit uncomfortable because Stallone only stands there by accepting this rambon of compliments. But what makes this concrete scene so surreal is that the camera is cut into audience footage, which is seasoned with celebrities, including Jackack Nicholson Dopelganger and what looks like the look of Whoopi Goldberg. Why? Well, if you read one of the reviews, you will soon learn that asking such a movie question as "Cambakt Ishk" is superfluous. Since something similar "Home" is remembered as a beautiful version of "Fast and Furious", "Kambakt Ishk" is not remembered at all.

Although Cambakt Ishk was a modest hit at the box office when it was released in India in 2009, he was omitted on his debut and will never be remembered as one of The best movies of Stallone. Writing for Ibn liveRajev Masard marked the film "Loud, Vulgar and Seriously offensive", pointing out his many logical inconsistencies and absurd scenarios. "Where in the world," he writes, "Can you expect to find Sylvester Stallone as lurking in the streets waiting to come to the rescue of unhappy girls?" But Masad's biggest influenza with the film was the "constant cruel tone", which according to the reviewer is being held with "countless references to sex, virginity and homosexuality", physical violence against women and "a scene in which Akshay farts in the face of Amrita Arora for no reason".

Still Rachel Salz was tad more forgiving in her Newoux Times A review, where she claimed that "Cambakt Ishk" has only one frantic desire: to have fun. It is possible to succeed, despite the often cruel humor, the relentless pace and a few unique racial pieces. "Unfortunately, the following sentence is:" Viraj a sports black face in one scene, and in another, during airport search, he is broken by a great African-American woman. "

Then the question becomes: "Why did Stallone agree to appear in a movie like" Cambakt Ishk? "" Eros now musicThe actor claims he was attracted to the characteristic of the fact that the proper Bollywood-Hollywood crossover was not made. "For me I feel like we bridge a gap between two cultural and art centers," he said. Fair enough, but he also claimed to have received the subject of the film. "It deals with a topic I like," he said, "what is for the heart, for giving and spirituality, it is a physical manifestation of the ubis." As Anil Sinanan points out in his Timeout However, the review, "Kambakht ISSH" contains frequent referrals to women such as "or" B *** H "," Wearing Cow "or" Frigid Baby " - which is a strange kind of loveice to manifest itself.