Max Removing the original Luni Tunes shorts is an act of cultural vandalism

It is a day that ends in "Y", which means that David Zaglav has found a new way of garbage in Warner Bros.. A proud 102-year history. This time, According to the deadlineZaslav and the WB made an indecisive decision to erase the entire 1930-1969 Luni Tunet Shorts from Warner Bros., Max. Everything is gone, people.

Since the merger of his reality-a trash in a trash with a grid with a studio that is given the Lovers' film in the world over the course of a century of celluloid joy, Zadav has exposed bizarre hostility to what should be the crown gem of his corporation. He is permanent Polish finished films like "Butger", engaged in small Turner's classic films of Turner's Classic It was stuck (but fortunately he didn't kill) the cherished curator of cinema history cable and frivolous Deleted loads of cartoon programming Without informing shows creators ahead of time.

Two years ago, Slavov seemed to have lunar melodies in his arms when Luni Tunes catalog appeared on the titles list as a result of Max's abandonment. (Later, Strimmer said the shorts were listed by mistake.) This appeared on WB heels by transferring live/animated "Against Akme" to the vault, which means hundreds of people have worked on a final film that will never be shown or followed. It is uncertain to say that this is an incredible disregard for the talent, which may be why the SB had to deal with Zuu directors such as Ryan Kogller, Paul Thomas Anderson and Maggie Gyllenhal.

SB headed in an uncertain summer where it is not hyperbola to say the future of the studio depends The success of Jamesei Gun Superman's Superman, The stench of desperation took out the big house on the Barham Boulevard. This seems to be the perfect time to rely on the deep library of the studio of lasting classics, but Zalav would rather catch the legacy of Luni's melodies. What is the damage to this friend?

Luni Tunes is an invaluable institution for animation

Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Wile E. Coyote, Road Rackner and countless other animated characters are an essential part of our pop cultural fabric. In addition to being created and attracted by some of the greatest talents in the history of the medium (eg Jacques Onesons, Free Dreeting, Tex Avery, Frank Tashlin and Bob Climpt), these cartoons have learned more generations the importance of satire and blessed ideas. These comic anarchy agents have prepared us at a very early age for the subversion of the Marx brothers, Madian Magazine and the National Lambon.

Perhaps most importantly for the studio, they introduced us to vintage films in the company's library by deceiving the likes of Erol Flynn, Peter Lore and Humphrey Bogart. The appearance of Flynn at the end of Jacques Onesons's "Rabbit" Hood through a live clip with action by "Robin Hood's Adventures" made me look for the classic WB flick, which is now one of my favorite films for all time despite being made 35 years before I was born. And, there was nothing strong synergistic about this because a) it was a great wrap, and b) when I saw it for the first time in the late 1970s, there was nothing tangible for sale. There are no video strips, there are no wide editions of the repertoire ... just out of the chances I catch on the afternoon film one day.

Why would I suddenly remove the classic, award -winning cartoons worth 39 years, which have stepped up his company's brand's brand era while teaching children that there may be sophistication for stupidity?

David Zalavlav's war v. Luni Tunes must end

Aside from his catastrophic performance at the classic TCM Film Festival in 2023, where, among other gaffes, he expressed his commitment to preserve the WB film library by celebrating a film made by another studio ("Gentletleman's Gentleman's The Gentleman's The Gentleman '), Do something other than to do something other than to do something other than the company's films, to make treatment of late contracts. Before Zadlav got his Max myths (formerly HBO MAX), Strimmer faced the funny Deep SB Library; The big headlines were always out, but there was a clear, deliberately set way to lesser known films if subscribers want to go for research.

And, at the utmost pleasure of every cinophil, there were cartoons by Luni Tunes, who grew up looking at union. At any moment, if I needed a quick smile, I could call her "what's the opera, dock? Parents could share the timeless brilliance of these cartoons with their children, while the shorts themselves have not lost any of their hose -causing power. It was all there, and why wouldn't it be? Max is Warner Bros.. " own damn streaming service. These cartoons should be constant bodies, and should be a fiery work to even consider removing them.

As it stands at the moment, if you want to see classic melodies of Luni, your only option is physical media. Warner Bros. Discovery says this is because children's entertainment does not drive subscriptions (giving the same excuse for Nuking "Sesame Street"), which is obviously a lie given that a good piece of new Luni Tunes cartoon films, many of which are explicitly directed to children, is still streaming. That the library has been removed the same weekend "The Day Blew Country: Luni Tunet Film" It was published in theaters of the independent distributor ketchup entertainment Reks on the trademark of Zalavlav petitis. Man has no business of Warner Bros., where is Acme Anvil when do you need it?



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