During "Star Trek: Next Generation", Lieutenant Colonel Commander Orordors La Forz (Levar Burton) wore a viewfinder. It was explained early in the series that Ordordi was born blind thanks to the birth defect, so he is looking for a specialized apparatus to see. Hence, the Ordordi in his temples received a series of small electronic implants that reached the visual cortex of his brain. Then, the viewfinder will attach to the implants and feed visual information directly into his brain, effectively bypassing his missing optical nerves.

The fact that the "next generation" had a main character with a disability was a boon to representation, and the writers of the show never made his disability the central part of the story. Ordordi's blindness was completely incidental, so his glass became just details in his suit. It was much more noticeable that Ordordi was an awkward man who had problems with finding dates.

However, Burton hated the dressed glass. Not only did he cut off a good part of the actor's vision, but he was also tightened on his head every morning in an incredibly painful way. Unfortunately, the viewfinder was not glued to its place, it was a piece of metal that was tightened around the actor's temples. Burton was also a little frustrated that, as an actor, part of his instrument - the eyes - were covered. Without his eyes to emotion, he felt that his performance was limited.

Truth be told, Burton did not fully realize how much glass limit was until 1996 when he made the movie "Star Trek: First Contact". In that film, Ordordi was given mechanical eye implants, which means Burton could dissolve with his glass and had to wear only contact lenses. (Close shots of the Odordi eyeballs were achieved by rudimentary kitchen gadgets.) In the oral history book "Fifty -year -old mission: The next 25 years: From the next generation to Jey Abrams", " Edited by Mark A. Altman and Edward Gross, Burton admitted that he would finally return his instrument.

Burton was told by Star Trek's executive producer Rick Berman that the viewfinder is necessary for the "next generation". Berman, you see, feels that it is a clear visual indicator that the characters live in the future. Burton didn't like it The reasons mentioned above, but also because there were only a few cases where the audience had to look at the viewfinder for themselves. As Burton said:

"80 Percent of My Vision was cut off when I have that thing, and it physically hurt, which was one of the more important reads i wanted to get out from underneath it. Rick Says, it was one of the ways that we established in the minds of the time because it became problematic BeCause it was cost prohibitive. Geordi Saw, because it was too expensive and we were on a narrow budget. "

Burton added that the viewfinder, after seven seasons on television, became a barrier. It hurt his head, it was difficult to write stories, and, worst of all, covered his eyes. "At the spiritual level, it is really just a sin to cover the actor's eyes," Burton explained.

When it comes time to make "first contact", however, a change is required. "It was time," Burton recalls. Something had to be done to point out that things had changed for Ordordi. Asked about the contacts, Burton said it was facilitated, once again reminiscent of visor problems:

"I wasn't really aware of how much of the barrier (glass) became until we fired (" first contact "). And in the absence of glass, I noticed that other actors behaved very differently. They hired me in a way they never did in the scenes. So the viewfinder is dead

Since then, Ordordi has not had glass.