Why did the movie CGI Beatles on Robert Kabekis have been canceled

Like Brit, maybe I'm a little biased when I say this: London's opening ceremony in London 2012 was the best ever. Directed by Dani Boyle, the usual hour of dancers and acrobats around was spectacular and silly, completely with sketches that celebrate the industrial revolution, NHS and the rich cultural scene in the nation. The movie Buffs also received two special treatments: Rowan Atkinson as Mr. Bean dreaming of beating the boys from the "fire brake" at their famous beach race, and Queen Elizabeth II, who made her debut on her screen in front of her Jamesjams. It was surely the best trailer "Skyfall", which hit the theaters a few months later, we could hope.

The Fab Four music appeared a lot during the ceremony, complete with Sir Paul McCartney by wrapping things by leading a single to "Hey Udeud". As such, it seemed natural that a "yellow submarine" remake was also scheduled to coincide with the London Olympics. The bad news was that Robert Kneekis would be in the Motts Beatles This time around. We all love the director of classic films such as "Returning to the Future", "Who Wrap Roger Rabbit" and "Forrest Gump", but his performance with Movement and animation of CG is divided (at least to say).

For some, the "Polar Express" of Kibis, Beulph and Christmas Carroll are almost invincible because of the nasty style of attracting movement that plows viewers deep into the unwanted valley. Fortunately, the director's "Yellowal Submarine" project was canceled, and footage footage suggests that it would have been a trip to the bottom of the unusual trench. But why, exactly, was chopped?

Beatles on the screen

The Beatles had an incredible race between their formation in 1960 and their acrymonic breakup a decade later. In addition to becoming the largest cultural export of the UK and changing the face of popular music, they also found time to appear in some films. Increasingly in the phenomenon of Beatland, Fab four applied for a deal with three paintings with United artists, which began with "Richard Leicester's Heavy Night" in 1964. Marking the transition to the British cinema from the realism of the kitchen from the 1950s to the more celebrated tone of the epoch that appeared, it was one of it, it was one of The best films of the 1960s. Fresh, funny and gloomy, the boys clearly had an explosion to play themselves and take an unharmed blow to the fame and culture of the fans.

"Heavy Night Night" was followed a year later than "Help!", Beatles' second film for "United artists". This time, Leicester switched to an adventure color with madness, which was also a success in box office, but generally less well appreciated. Then, the next effort by Fab Fort, "Made-for-Tv Road Movie" "Magic Mystery Tour", which was an intense and complacent affair that attracted both critics and fans. Poor reception also made the Beatles cautious to appear in another feature film, so the "Yellow in the submarine" has become a matter to help fulfill their commitment to United artists. As an animated musical, they should not act on their own, even though they came in live-action before socializing in India to socialize with Maharishi.

Their latest feature film, released in the year when the Beatles dissolved, was a bitter meaning. "Let it be", a documentary chronicizes rehearsals for their latest album of the same name, locked with footage of an unannounced roof concert. It was the Beatles' latest public appearance together.

The original yellow submarine

Contrary to the sharp black and white of "strenuous night", the "yellow submarine" is rooted firmly in psychedelia in the mid-60s. The Beatles spent the LSD around this time, influencing the sound and verses of "Revolver", "Magic Mystery Tour" and "Club Band" Lonely Hearts "on" SGT. Pepper ”, while the film style of the film leans strongly in the tripper elements of all three.

The film begins in Pepperland, a peaceful subquirest utopia that is threatened by creatures who hate music called "Blue Mejani". The old Fred, a sea of ​​dog, fled to the title submarine and headed to Grimmy Liverpool to call on the help of Johnon, Paul, Georgeord and Ringo. Their Meandical Journey Back to Pepperland is collected from a series of hallucinatory adventures before preventing the buzzing chief of blue, Blue Meisi and his chickens with "All You Need is Love".

"Yellow in the submarine" often feels like an excuse to reveal a bunch of Beatles songs together, but there is hardly nothing wrong with it, and the shame visuals are really great. About 200 artists were engaged during almost a year of production, and the result is a wild imaginative fantasy that certainly had an impact on Terry Gilliam. Standing for the real Fab four, Johnon Clevel, Offefrey Hughes, Peter Batin and Paul Angelis do a decent thing to imitate Lennon, McCartney, Harrison and Star, respectively. Since we now know that the group will not be just a few years later, their late comes shaky because it seems short to start their knees with "now all together".

Posting a remake of the yellow submarine

SEC Cook, then President of the Studio Walt Disney, announced a remake of Yellowal Submarine in 2009 at the D23 Expo Studio. Touching the project as "really inspired collaboration", Cook has revealed that the license to licensing with Apple Corp DOO is suitable to ensure that all 16 songs from the original film will be included in the remake, and that Kabis will be behind the periscope with his Pioneer team. Paekis said making a film with the latest 3D Technology to attract movement is "a dream come true".

Although I am sure that some people were excited by the prospect, that last part was no doubt sent the traitors to the spine of many Beatles fans, not to mention the lovers of traditional animation and anyone who was given a julethide of "Polar Express" and "Polar Express". Indeed, a few days after the publication, Gismodo Announcing an opinion of an opinion, called a remake of a "weird hub" and "failure of the imagination".

Potential casting choices emerged a few months later. It was not a bad lineup: British actors Peter Serafinovich ("John of the Dead"), Dean Lenox Kelly ("BBC" of the BBC), and Adam Campbell ("shameless") would have played Paul, Johnon and Ringo, as Keri Elves will borrow. The most attractive rumor was that David Tennant, and then, came to the end of his initial blow to Tardis' controls at a doctor who will act as main Blue Meidi. Come October 2010, however, there were signs that the tumultuous waters suggest to the film. Although Kabekis insisted that it was still a pictureTennant revealed on a talk show that he thought the project was stopped.

The remake of the yellow submarine sank almost without a trace

Rumors of budget problems have emerged before Disney has also announced the "Yellow in the Submarine", Remain and Imagemovers Digital in early 2011. Following the disappointing "Christmas Carroll" performance at the box office, another bad display from "Mars needs mothers", secured the killer. Kabekis was looking for new supporters, but without the upcoming attractives, he was forced to leave his dream project.

Since then, some early parts of the Raekis remake have emerged. The concept art shows that Liverpool's vision, with streams of carbon black, were pretty dystopian, while the design of the creature and the blue sink of the new look would be nothing less than nightmares. Meanwhile, the renowned yellow submarine was preparing to become a craft somewhere between Nautilus in "20,000 leagues under the sea" and an illogically spacious interior of Tardis. Worst of all, attracting the movement of the camera of the FAB Fort in the original rose Johnon Lennon and George Harrison to a strong effect.

It may be unjust to judge a canceled design -based film before production, but the previous work of Kabis and Imagemovers may give us a pretty good idea how terrible the finished product is. If, like me, you hate the nasty Mo-cap of Polar Express and the rest, we will no doubt agree that we have evaded this bullet. Fortunately, we still had to see the "yellow submarine" in time for the London Summer Olympics when the original received a limited edition. That would Re -sailed to cinema for its 50th anniversary in 2018.



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