When Johnon Wayne broke into Bona-Fide Movie Stardom in Classic of Johnon Ford in 1939 "Stagecoach", He quickly established himself as the highest actor in the film industry. Not every Wayne's image was a hit on the intersection, but they almost always made a neat profit. Since he was extremely fruitful throughout the prime minister of his career, making more films a year, this meant his fans came to expect a certain level of quality from the vest - otherwise they would stop appearing at some point.

If you are new to Johnon Wayne's movies, and are looking for a good place to start, you can't do it for no better than the aforementioned Western, who established his frightening laconic personality. But once you get it out of the way, there are many different paths that you can take. You can try one of his military films or see that the duke are absolutely steam from Barbara Stanvik in the classic pre-code "baby face".

However, if you want to see Cocksure Wayne to face a challenge for a real western, there are many scary options. "She wore a yellow strip" and "The Seekers" are full classics aimed at Ford, while Mark Ridge's "cowboys" (And his sensational result of Johnon Williams) may surprise you. But if you want to see someone not only stops at Wayne, but occasionally blowing it out of the screen, the movie you are looking for is the Howard Fox's "Red River", and is currently being aired for free!

Wayne has played several fully bastards throughout his career, but with Ethan Edwards's possible exception in the "seekers", I'm not sure he was once more than Ranchan Thomas Danson in the Red River. Determined to drive his 10,000 cattle in Missouri regardless of the significant risk. Driving with him is his adopted son Matt, a young man with increased self-esteem and a greater sense of decency played by 28-year-old Montgomery Clift in one of his first roles on a big screen.

The story itself is not intertwined with surprises. It is basically "Mutius of the sale" with Wayne as Captain and Clift as an indictment that usurps his command. We sympathize with Matt, but the Hawks and his screenwriters (Borden Chase and Charles Jane) portray Danson as a hard man struggling as hell to ensure the survival of his existence. The ranch is his life, and Danson There are killed to protect him. The film finds Danson at an unreliable moment; He is caused by his son, who does not want to enter into the form of bloodshed that marked his father's life and when he could not persuade the old man to pat his malicious, throws him.

Danson is not the one who loses struggle, so we know there will be a calculation between a father and a son. It is a spectacular conflict, the one who is doubled when you think the Hawks has surpassed Wayne's actor Wayne versus a trained clifting method. Is there a better western? No, not really (Metakritic says the best Wayne). Only the western that are perfect in different ways.

"Red River" is currently being aired for free (with ads) on the Roko, Pluto TV and Fravi channel. It is also free Hoopla's Suns ads.