What is so great for the western? Well, for beginners, the genre of morality may seem clear at first glance, but the best western are followed by the gray landscapes and constantly redefine the codes of honor. Violence is often in the heart of these stories because, without this component, we would paint a sanished and unlimited image of society on the edge of change. This violence can manifest itself in various forms and reflect bitter truths about human history, or it can simply emphasize universal human traumas from a specific point of view. In addition, lawless spaces require lawless men in line with the West and its ethos, and sometimes these men are subjected to transformation. The rich history of the West extends beyond the moving image, with writers like Kormak McCarthy and Annie Prolques, have recessed definitions of how Wests can discover the worst impulses in mankind.
Deciding that the West deserves to be called the "best" is in vain, as the genre has a wide range of stories. For example, "Infraging" nonsense in Clint Eastwood's Clades with complex morals By imposing reformed weapons back into the world of sale hunting, while Sergio Leone's "once in the West" explores the concept of bitter revenge. Meanwhile, titles like Howard Fox's "Red River" highlight the clash between tradition and modernity through generation conflict as they challenge the idea of what the hero does. The larger Western genre has suffered significant shifts over the yearsThe physical violence that often overlaps in the center with examinations of cultural and racial oppression.
If we look at the website like rotten tomatoes, then the highest-ranking west of all time are titles like "Stagecoach" and "My Mila Clementin" (which, as you expected, both have 100 overcrowded "fresh" result from critics). The MetacryticThe two Western with the highest ranked are something surprising, with the "Wild Cup" and "The Wealth of Sierra Madr" that surpassed the charts by 98 percent. So let's talk about these films!
This top western with a methacre grade explores the spectrum of human experience
Sam Pekinpa's "Wild Cup" is Experience and half. Extensive nihilism connects every event in the film, but this is not a world that is completely deprived of hope. Texan Pike Bishop (William Holden) wants to retire after the last robbery as a law, just to end up ambushing a bloody shootout that leaves most of his people dead. Pique and a small number of survivors then headed for Mexico in search of something better, but they met a wicked threat as soon as they arrived. If you go through tense confrontations, shootings and double crossings that are happening at this point, the "Wild Cup" may not look special from a narrative perspective. But the magic lies in the treatment of these classic tropes of Beijingpa, which are transmitted through fast editing and framing with more agols (which were not mainstream when the film was released in 1969). This creative ingenuity makes even the most sincere ideas to look fresh, such as Pique's dramatic declarations of loyalty and how the absence of it makes the animal out of man.
However, the epic revisionist of Beijingpach Western is far from perfect. The brand of Squirrel celebrity here is quite outdated, while electric footage sequences that show violence strengthen this traditional view of the world. The brutality, loyalty and morally unclear heroism are accepted by the central group of illegal film illegal, making their personal philosophies known by incessant unity and bullet city. It also has an intentional, expanded focus on visceral images, such as a scorpion that devours ants, while a group of children look at a sadistic GLA. Does Beijingpa condemn our desensitized apathy to violence? Or he states the fact that we are doomed to ruin Because From that? While this is at a debate, the "Wild Cup" offers excitement, shocks and anger, giving you a roller for the emotions that should attract you.
Neo-Western film with the highest-west film of Metacakritic examines how greed shapes men
Next, we have "The Wealth of Sierra Madre", a completely different kind of western Greed. Based on B.'s novel. Traven of the same name, Johnon Hoston's film takes place as a direct but swinging parable of greed. Humphrey Bogart Starswells like Fred Dobse, Suspicious, Gold Prospector Cheming that requires the opportunity when traveling with his partner Bob (Tim Holt) to the mountains of Mexico. However, before any of it happened, both Fred and Bob are initially deceived by the salaries of the previous job and forced to earn them back in the hard (and violent) way. Only when the couple comes out in search of gold, their real hearts are known to us. Suspicious and paranoid, these men are patterned against others and each other before engaging in all shenanigans and, eventually, to go through a terrible harsh awakening.
Playing such a connected character consumed by greed was a cube for Bogart, which usually embodied heroic or moral gray figures (for whom we end up rooting) to this point in his career. Fred transformation does not happen overnight, of course; There is a lot of prediction in the form of literal events and visual images, accompanied by slow burning corruption that gives the paranoia caused by greed. One would think that two men who know what it is to be reinforced and robbed of their earnings will understand the traps of greed, but are we ever so fast to learn? If nothing else, the fact that Fred and Bob were deceived at the beginning of the film strengthens their paranoid suspicions. They Know That their colleague is not confident and that the only way to want gold is to snatch from foreign hands.
The focal and thematic contrast between the "Wild Cup" and "Wealth of Sierra Madre" reflects the varied range of material that can accommodate the western genre. While one film shapes its illegal renegades as imperfect men of honor, the other completely seizes its two working class guides to their basic humanity. Despite these congenital differences, Beijingpach's film was actually inspired by the neo-Western HustonHighlighting the complex network of impacts that can help in the shape of the separation in the genre. As long as these films continue to capture the complexity of human experience, there will always be more room for additional records in this genre.
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