When you think about Agatha Christie Vidonite, my specific mysteries for killings come to my mind. Some stories begin as traditional cases, but end up with stunning discoveries, a kind of "killing Roger Acroyd" too well. Then there are the exciting, challenging titles, such as the "killing of Christie's" by Orient Express ", which represents the huge role of suspects who have a kinetic setting. Sometimes, Christie causes the brilliance of her own heroic figures, such as when detective Hercule Poor competes against time to catch a serial killer in "ABC killings". While every whodunnit has a special taste, the advantages of Christie as a writer lie to hide the truth of the ordinary look and draws the conclusions by convincing. One of the most unpleasant mysteries of killing Christie the best embodied these strong sides is "Why didn't they ask Evans?", What keeps readers assume until the great discovery is revealed.

While playing golf with a friend in the seaside town of March, Bobby Onesons stumbles on a dying man. Bobby's friend, Dr. Thomas, noticed the fatal injuries to the man and turns out to seek help. Because Bobby stays with the man, he says "Why didn't he ask Evans?" and dies soon. Help arrives a little too late, and Bobby's only clues to solve this mysterious death are the cryptic words of the man and the image of a woman in the coat of the coat. "Why didn't they ask Evans?" Only after this point does it become more perverted and intriguing, where the legitimate indications of the real killer are mixed with equally reliable red herring. Although this is a detective story without Hercule Poor or Miss Marpl, it is enjoyable enough on its own, as it encourages the reader to take a more active role as weak and compete with an amateur detective in its center.

As with many Christie's novels that are tailored to film and television"Why didn't they ask Evans?" They received the treatment with the miniser in 2022. This special adaptation-in the starring Will Pulter and Lucy Benton-boasts the pulp, a light tone of the source material quite well, presenting us with a fresh detective duo worth taking root. Let's dive into this beloved adaptation of Agatha Christie, produced by Britbox.

"Why didn't they ask Evans? A pretty friendly comrade nearby, Roger Basington-French (Daniel Ings), offers to wait with Bobby until the police arrive, but it's nowhere as soon as they are seen as soon as they do. Since Bobby decides whether he wants to continue this mystery further, he is followed by a man wearing a hat on several occasions, which encourages him to entrust his childhood friend Frankie (Bonton). With Frankie who suspect a foul game, both teams reach the bottom of this mystery, but soon realize that some things are too dangerous and must be left alone.

Although the danger causing the situation is serious, the tone of the series is never too gloomy, at least not on the same level as The mystery of killing the island "And then there was no one", which examines some of the worst impulses in humanity. Hugh Lori (who wrote and directed these mini Lori also profits to the idyllic environment, using it to establish trouble and undermine expectations, which in turn makes the nature of death particularly awkward.

There is a lot to love here, but the chemistry of the pulter-bonton is the heart that beats the show. Although both amateur detectives are sharp and witty, they are obviously not at the same level as the lighter or Marpl, and this conscious distance works in favor of using their presence with charm. The two are moving through the awkward waters of the case that looks more convoluted than it is, as many red herring are thrown into the form of suspected with motives for alignment. Very back and forth is intended to happen, as the intention is to keep us engaged in curves and suddenly reveal the obvious answer that was ordinary in all sight together. This approach works, and even if you all realized, it is always a pleasure to see your deductions confirming to the end.