When Haley Barry made his debut on the big screen as a Vivian's crack in the worst part of Spike Lee's "Jungle Treska", she put the whole world noticing that she would be an actor first and second film Starweet. Obviously, she would quickly learn early in her career to play the Hollywood game and accept thin written roles that asked her to do something more than to look like one of the strangest beautiful people on the planet, but never passed more than a year or two without to challenge yourself. This was especially difficult to do, given the lack of complex roles written about black women at the time.

Barry was 10 years in her film acting career when she landed the role that would change everything for her. Like Letizia Musgrov in Mark Forster's dark drama in 2001, Monster's Ball, she called on a fierce heart attack, anger and romantic longing. We knew Barry was a serious talent, but her show on Letizia was at another level. She was a favorite to return home The Oscar for Best Actress During the prizes season during most of the year, and when she conquered it, she felt as if Barry's climb was completed. From this point forward, it would exist in The same actor-Starvedza Pantheon as Meryl StreepElizabeth Taylor and Ketarin Hepburn.

However, frustrating, Hollywood came back immediately not to know how to use Barry's boundless talents after that. Then, she continued to play Women's coach of Pierce Brosnan, Jininx in "Die another day" (Bond's critically excited film that accelerated the Restart of Casino Royal), delivering a game in the average horror flick of Matthew Kasovitz " Gothic "and was demolished in the shameful treasurer Flop" Catwoman ". In the end, she had to show off her acting chops opposite Benissio del Toro in "Things We Lost in the Fire" and earned decent examinations as a woman dealing with dissociative disorder in Frankie and Alice, but no film received a traction rewards. At the beginning of the 2010s, Barry felt as appealing. Unfortunately, at the moment desperately needed a hit, she starred in what remains the worst film of her career.

Actor director Johnon Stockwell established himself in the 2000s as a capable director of "water adventures", decorated with wildly attractive castes. Surfing Flick "Blue Krush" began Kate Bosworth's career, while "in the blue" showed the finely sculpted bodies of Paul Walker and Essesica Alba as they were diving and around the Bahamas. No movie was classic, but Stockwell knew how to make his stars look like they were stretched in the water.

He was not particularly available to him when he tried to make the swimming thriller-with the "dark tide" shark. Barry Starswells as a former diver with open water whose Loveubov to meet sharks on their homemade grass Out of the cage with anti-aucca has been expelled from a tragic accident. When she diminished in water by a wealthy businessman, wouldn't they know it, sharks would behave again like sharks, and she finds herself turning to another tooth tragedy.

As a shark-akle, I can assure that I have been sitting through worse films than "Dark Tide". But it is difficult to think about the one who uses real shark shots to such an effect that causes Snushi. Critics agree. Posted directly on VOD on March 8, 2012, "Dark Tide" boasts A disastrous rating of 0% Of spoiled tomatoes. Peter Bradshaw of The Guardian He called him a "strange tired thriller" in his review of a starvet, while Robert Abel on the Los Angeles Times He wrote: "The only apparent emotion of" dark tide "is the sadness of Barry, trampling water in such efforts as this."

Barry managed to get back to the air next year, scoring a hit with respect with Brad Anderson Tautilally shook the horror thriller "Call". She had a few wrong steps between then and now, but nothing as unusual as "dark tide".