Ein Born Boyer's "Starwar Track" It can happen in a post-capitalist utopia in which no character longs for wealth, but here in our society, its actors can live with that luxury.

The trays will be able to tell you that Star Trek is not a huge hit when it first aired from 1966 to 1969. There was definitely a small and passionate cluster of fans, and the play was preserved from giving up at least once thanks to a coordinated letter writing campaign, but it was never the type of Top-10 show in the rating. "Star Trek" will not become a cultural phenomenon until it began to broadcast in repetitions in the mid-1970s. Until then, new superfair conventions emerged, and Star Trek conventions have become something. Genin Born Baberi appeared at these conventions and he began to tell his show, by encouraging fans, realizing that he really created a utopian text.

Meanwhile, Star Trek's stars were able to use their limited earnings from the show show in the convention because they did not receive money in debris. No matter how unfair, the original acting members of the series - William Shatner, Leonard Nimoy, Nickel Nichols, Deformity Kelly, George Takei, Walter Keonig and Jameses Dohan - did not receive any copyright payments for those repetitions. Dohan, in an interview in 1979 with "Fort Worth Star-Telegram" (quoted by Heroes & Icons website), admitted that neither he nor his co-stars received dune from Star Trek repeated after 1971. In 2020, William Shatner said On Twitter that he does not receive copyright royalties for something related to Star Trek before 1973.

Those who assume that all TV stars were able to live high on pigs, based entirely on the debris for endless repetitions, should remember that many of them were stifled by the stated remains due to unfair agreements.

The above beef on Shatner's Twitter saw him arguing with a bitter fan of his personal wealth. Shatner reminded that the end of the 1960s is not a pink time for working actors, as the supposed copyright payments scheme has not become the standard in the industry. He wrote:

"Everything before 1973 (which includes the original series" Star Trek ") does not pay a cent in copyright. So please don't think you own me or I owe you something to watch. It doesn't work that way. "

Shatner also talked about his lack of copyright payments on the podcast of the conveyor 3, hosted by IGN (and reported by the Hollywood reporter), clarifying that in those days, no actor in any TV series received remnants of repeat after several years. After all, it was thought that most people had assumed that no TV show would continue to be broadcast for more than a few years in any case. As such, no studio bothered to write copyright -based contracts for all actors. No one could predict that Star Trek would reach an agreement for decades on trade unionization that would keep it in the air for decades.

Back in the Fort Worth Star Telegram interview, Dohan noted that unfair payments for the Star Trek cast were a motivating factor in a widespread restructuring of the deal through Hollywood. He said that "our situation is what prompted the guild of the actors on the screen to change the rules. (...) Now, you pay for all repetitions. " It, after only three years of the air.

On SAG's own web siteIt has been written that copyright does not exist before 1960. The successful strike eventually puts copyright contracts, but unfortunately, retroactive payments were not part of the negotiations, and the studios did not have to pay the royalties of the actors in the films released before 1960.

In 1960, Sag also finally set up a pension fund. However, in the next 14 years, TV stars were still stiff. "Reruns" were still, it seems, a novel concept, or at least a concept that the studio was ready to ignore when it comes to paying copyright to their actors. Falling in line with the comments of DOOHAN and Shatner, Sag "jointly negotiated a deal that includes dramatic programming of initial television networks for the first time" in 1974.

In 1980 Indeed, it can be revealed that most strikes with SAG or WGA have been, throughout its history, to retain debris. The longest strike by the union came in 1988, and this was mainly about how the debris was not paid for TV broadcasts on international markets. In 2007 and 2008 Every new technology seems to be considered a new means of the studio to try to stiffen SAG members.

This certainly was for the strikes in 2023What was he trying to get the remains of the notorious streaming wars. Streaming services, thanks to a precedent set by Netflix, never announced their viewership numbers and felt any urge to pay the royalties of the actors as a result. The unions were able to negotiate a payment system, and also demanded a study to stop using AI technique to scan their faces and use their images for free. The strikes in 2023 were the second longest in the history of the organization ... for one day.

Fortunately, the "Next Generation" cast benefits from those previous strikes and managed to live in debris. In the case of actor Will Vitron, played by Wesley Kruser, That was all that had been for years.