When Tom Hanks took the scene late Last night's 50th anniversary of "Saturday Night Live" celebration, He seemed to head to unusual territory. The lights were darkened to blue, his tone was respected and, as he worked in his prepared comments, the theme that hits him so close to home for alumni and friends on the show. "As we celebrate achievements in the past 50 years," he said, "We must also take a moment to respect those we have lost. Countless members of the SNL community premature. Hanks paused briefly for effect and then continued. "I'm talking, of course, about the characters" SNL "who get older."

No comic institution can last 50 years without finding the third railway on the occasion. For "SNL", a series of sketches of sketches came out and tore the countercultural humor of the 1960s, viewers of watching fungi that caused fungi that seemed to fly under the radar of network network censors at 11:30 am, What has set aside from this play- a beautiful series of Primetime as "Carol Burnet's show" or "Sony and Cher's comedy. Of course, it was fun to see the original not ready for premiere players, Don Gufi costumes and play your heads Or the killers, but knowing that Buck Henry could appear as a fun-cheese pedophile babysitter Uncle Roy gave the show a fiercely disturbing indictment. We don't have to laugh at such things in generalBut inexpressibly the terrible absurdity of the situation (knocked out in the stratosphere of the comedy by Guilda Radner and Larain Manumman as reasonable grandchildren) made all the caustic funny. To what purpose?

Henry's uncle, Roy, surprisingly appeared in the four -minute clip sequence, introduced by Hanks, which was part of Mea Culpa, and part of the spectators' indictment for these sketches when initially broadcast. If you are wondering how four minutes were probably long enough to cover 50 years wildly insensitive, if not completely painful comedy, it wasn't. But since the SNL, which is not great for self-reflection, separates the closest thing we have to do Jimi Stewart to make modified halftime, it is difficult not to be surprised at the semi-gas.

The bad taste "in Memorim" began with Johnon Belushi in Yellowococcace as his image of samurai (with a shaped shape after the great Toshiro Mifun) and scattered for decades of acting members shamelessly embodying racial stereotypes. In a roll with a clip, it also included a body of embarrassment, gay panic, acts of sexual harassment and a laughter -induced attack, two guests who were found responsible in the Civil Court of Wrong Deaths (OH Simpson and Robert Blake) and Two others found or found guilty or awaiting trial for sexual assault (R. Kelly and John Didi Combs).

When it came time to show the actors wearing makeup and devices to show people of different races and ethnicities, the faces were blurred to protect the not so-called-probably because they now know better (or, how Billy Crystal that generated controversy in 2012 A year by re -examining his meaning by Sammy Davis Runior at the Academy Awards of that year, they decided that no apology was needed). The segment ended with the classic skit Featuring Chevy Chase and Richard Prayor Trading quickly escalates ethnic barbags (which ironically, in this iteration, the biggest laughter of prior undermine by using the use of chase on n-fry).

https://www.youtube.com/watch?v=MN0-Spkkgqg

Like many institutions of the main Era's main Era, SNL was mostly white and, behind the scenes, men dominated. The play would not have a lead writer until 1999 (Tina Jay) and there was no chief writer of POF until 2017 (Michael Che). Manufacturers tend to be white men, and you should not ask about the racial/gender composition of the network accused of surveillance. So, much of the value that SNL made was really controversial was inflicted by guys with an unmutely privileged view. If this was recognized, I think the four -minute clip roll would look radically different.

After Lorn Michaels and all the other in charge of producing the SNL 50 decided that this segment would include past troubled guests, they invited an elephant to the 8h studio. And by not reminding viewers that President Donald J. Trump, a convicted offender, who was declared responsible in 2023 for defamation and sexual abuse against E. Jeanan Carroll hosted a call for courage. The facts are the facts. Instead, they remember the lowest point in the 50-year history of the series and sent a message to the public that Trump is, right now, too powerful to be lambed.

Manufacturers would also do good to turn to Juluia Silja, an androgenic character of the early 1990s, whose unusual sexuality sent people into a typical speculator for their gender identity. Although silky fell out of "gaze" Recently to discuss the disturbing heritage of the road ("transparent" creator Eyoi Solovey claims that the character was "a hateful, hateful, terrible thing to do to non-fashioned people"), taking the image under the rug of "SNL 50 "It was harmful at a moment when A lot of livelihoods of trans people are deleted by the government. Perhaps the wound on the road is too cruel and infected by this unhappy moment in American history to head to fashion. Personally, he felt unwise not to go there at all.

Obviously, no one joined the SNL 50 on Sunday in the hope that this anniversary broadcasts to repair all fences and save the Republic for three hours and change. The show was not in the avant -garde of the comedy for decades and it really shouldn't have been there in the first place. If you wanted laughter that attracted blood in the 1970s, you read "National Lambon" or watched Richard Prior's stand-up and George Carlin. "Saturday night live" offers an escapeNo excursion. Comedically, it's a sign of what time will wear and nothing more.