Then, in 2011, DC Comics shared its joint exhibition with the publishing initiative "The New 52" (Referring to how 52 new comic book series on DC began publishing from #1 onwards). Reboot the popular characters from the Vertigo and Wilstorm publishing, in mainstream DC, and reset the justice league and Ilk to be younger.

The new 52 "Miracle of Woman", written by Brian Azarello and drawn by Cliff Chiang, reconsidered the origin of a woman's miracle. Now, she was Zeus's daughter. Namely, Retcon was present in the universe; Hypolita Told told Diana that she was made of Clay to hide her daughter's true nature from her, the way the parent tells her child Stork delivered them. (Plus, Hypolita did not want to invite Zeus's revenge wife, Hera.) This has not prevented the other Amazons from ridiculing Diana with the nickname Clay, though.

The reversal of its origin dilutes the original themes of Wonder Woman, but has a thematic resonance in this particular path. Azarello's "Wonders of Chests" and Chiang is for Diana to face the ugly secrets that the sisters kept from her.

For example, she learns that her Amazon colleagues are reproduced by kidnapping, rape, and then killing male sailors. Baby girls born of this become new Amazons, while boys are given to Hefest, Greek God of Forz, like slaves. (Although he treats them as his sons instead, reiterating Marston's topic for Urkov subject to parental loveice.) At the end of the escape, Diana reforms the welcome of the men on her shores, because Everyone can be Amazon.

Reading Azarello's "Miracle", you get the feeling that he disagrees only with the philosophies that are essential to the book and the character - for him, it is not a shelter for women, but a Misandristic injustice, its existence of violence by excluding (and more ) toward men. He spends his time blowing the principles of a "miracle of a woman" from conveying the amazons of people to peace in literally Fememoses turn Diana into a much more violent character. (This is running where she started wearing a sword.)

So, does Azarello change the origin of a miracle of a woman to a slightly less "silly" part of that greater attempt to change the tone of the character? Look, I think he wasn't completely calling. It should be remembered that the new 52 was brought in preparations for the arrival of the Chinese DC universe; The new number #1 had to attract and meet new readers, and the stories were tailored to be filmed.

Making a miracle woman in Zeus's daughter feels like a corporate decision to make her more "available", because comics films are almost always sung by the "silly" edges of the original material. As early as 2014, producer Batman Against Superman, Charles Roven called Wonder Woman, Zeus's daughter, ie The origin that was canon for several years at that moment. It is almost like comics tailored to make a way for movies, not the other way around.

It also fits into the modern Christianization of Greek mythology. (Think about how many works, from Hercules to Persie Acksecson, show Hades as basically Satan.) Many Americans adore the Son of God, so that the daughter of (a) God is a heroic figure they can understand.

However, this retrosman shook the fans of "Wondering a Woman". Removes Queir's subtext, makes Diana's strength from her relationship with a man and turns the feminist symbol into the offspring of Zeus, "Myth #1 rapist and symbol of the Patriarchate."