Sam Wilson's first solo movie is a safe, forgotten rehash


"Captain America responds to the president?" Sam Wilson's unwanted mentor, Isaiah Bradley (Carl Lumbi), secretly the first super soldier in the world, can hardly believe what he sees early in the "brave new world". Despite being a trial understanding with the new hat on how he chooses to serve the country that turned his back on Disney's show+ "Falcon and the Winter Soldier" (this sequel is a technical sequel to the previous Captain America trilogy, The Spinoff broadcasting series, the "Avengers", and, for reasons, still try to figure out, the "incredible Hulk" and "Windley"), Sam returned to restore the company line. Tadeus Ross (thoroughly pleasant Harrison Ford, taking over the late William Hurt) has been elected president of the United States and, despite the hostility he has shown to the country's most powerful heroes on many occasions in the past, duty requires work together to work together to work together In order to "restore the avengers". For Bradley, it's like everything to reset to the status quo. Sooner or later, the audience can end up sharing the same widespread feeling as the rest of the story takes place.

Needless to say, things do not work as planned. After the sequence of action in Mexico, he catches the audience to the acceleration of Sam, his Falcon training in the training Aoakin Torres (Dani Ramirez) and the juvenile antagonist of Ianankaro Esposito (and I think of a "minor"-- Snake society is not a big nothing-placinger here), an attempted to assassinate President Ross over sleeping agents threatens to throw the world into chaos. The plot that continues to cover our main trio of Sam, Aoakin and Isaiah, honestly, too convoluted even to spoil. There are world summits and critical agreements in the center of the "heavenly mass" leaving it outside the Indian Ocean of Windley, a modern situation in a Cuban missile crisis style, threatening to break out between America and Japan, over precious adamantium control ( Who, in the McGufins franchise, can be McGufin-Day McGufins) and, somewhere in the middle of all this, a shaded figure pulling the strings behind the curtain. Oh, and yes, there is another congestion and he is now red.

However, that hasty summary of the plot leaves several key parts of the context. Whole conversations and characters (looking at you, Hira Hass as a controversial Israeli security adviser Ruth Bath-Seek And Xosha Roquemore as Agent Leila Taylor) exist with the sole purpose of throwing an exhibition of viewers. The writing team (or I should say "teams", made up of Rob Edwards, Malcolm Spelman and Dalan Muson, and Juluulius NLA and Peter Glanz, and who knows how many other disadvantages on the road) try to capture that famous MCU Quip -The uniform vibration, but basically falls flat on face-especially when they undermine the few emotional moments they have. Soft and Ramirez support the best in the midst of all this, with the former straining his unique spin on Chris Evans as Captain America, while the latter actually manages to become a rare character to convey something that looks like a person. But in case someone hopes for a sequel that may have anything Worthy of his mind, thematic or political or otherwise, get ready to be disappointed. Maybe this was the case in the script as originally intended, but all hard edges have been sanded since.

Unlike his title character, who barrels through the hordes of pigeons with deadly force despite his commitment to save lives, this is a film that seems to be dedicated to dragging the blows at every turn.



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