Not to be one of this thinking that "a better man" is everything for the angry spectacle of the fall of the famous figure of grace, I assure you that it is only half of it. Biopic is even more interested in Robbie Williams' famous comeback, turning his life and his career over a few years - not only through will, but only with healing and ransom of rehabilitation. For director Michael Grace, it played a rather important role in what descends during the crippling of the Knebworth festival:

"The idea of ​​fighting with ourselves is something I think we are all aware of and get an idea of ​​self -power and that self -driving goes through every performance he makes. He always relys on himself in the audience, looking out of disgust. At that time It crashes every record.

Where the "Better Man" is mostly shining at the show that starts alive and fun ... just to move into a frightening battle in Robbie Williams' mind, culminating in a dark moment when he crazy reveals the striker as a child. For Grace, that sudden low point had her roots in the real world therapeutic approach to those in rehabilitation. As he explained:

"And then, it is obvious, it is a sharp delay when he kills his younger self, which is based on going to rehabilitation and one of the techniques where you are shown a photo of your younger self at the age of five, and basically he will say , "Would you do what you do to this little boy?" And of course, people are like, 'no, i love that child. And they are like, 'Well, that's you.' "

You can hear the full interview of Jaceacob Hall with Grace in the back half of today's episode of /film daily podcast:

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