Some films focus on big stories. Others focus on building epic worlds or sculpting interesting characters. "Enkanto" is a film that breaks that shape with zero to fewer individuals and places and more miracles and magical forces. The plot is followed by the central family of Madrigals, as they run an isolated city in Colombia from their vicious stay, in a short bit of Madrigal or Cassita.

The multi-generation passengers of this home are gifted with fantastic forces. Some are super strong. Others may invoke botanical growth at will. Madrigals can also be transferred, listened to pins to descend, talk to animals, heal through food, manipulate time, and see the future. They are a family with superpowers - that is, with two exceptions.

The first of them is their family matriarch, Abuella, who does not openly bear powers (although she controls the house, and her past trauma created the miracle in the first place). The second is Abuella's granddaughter, Mirabel, who has explicitly rejected a clear magical gift in his youth and seems to work with Sans superpowers throughout the story.

Of course, the point of the film is after all that Mirabel does not need a gift. It is the gift - and that's enough. Remember that end song? That's "you, all of you, all of you". That's the basic message. You do not need powers to be special or accepted. Just be alone.

It is a beautiful message for children's film, but people will always speculate, and some theorizing the subject of protagonist's protagonist of the protagonist's "Encante", so he is doing well with being difficult to ignore. Case in point: A reddit thread has set a spectacularly convincing argument that Mirabel actually has a gift in the film.

Soon After Encanto came out before it quickly became makeup for strolling of Disney+ by the end of 2021, a Reddit user Nothing unique and He published a theory claiming to have understood the gift of Mirabel. To quote the initial thesis:

"Mirabel is the new keeper of the miracle. She is the new Abuela - the new head of the family and the village. "

Therefore, the theory is trying to determine that the similarities between Abuella and Mirabel are not accidental. For beginners, both characters play many similar roles in the Enkanto Universe - roles that are not dictated by glossy external forces, but the overall order and administration of the Madrigal family and her vicious casita.

A thorough theorist supports his claim with several key points during the film. One of these is the simple fact that Abuella and Mirabel talk to the cash register. They are shown throughout the entire "encounter" directly as to the structure. The home then responds to them through non -verbal interactions and even respects their commands.

This does not sound too special in a fantastic film until you consider the rest of the family, none of them actually speaks with the cash register. Indeed, none of the other Madrigali requires it to do something, and even stop doing. They embrace the cash register as a special entity in their lives, though the one that seems to only hear and respect Abuela and the upward Mirabel.

Another detail of blinking-and-me misses is the butterfly. During the film, the yellow butterfly is shown as a visual manifestation of Madrigal's miracle. The only other character closely linked to butterflies? Mirabel.

It is also worth bringing another short theory here. Around the same time, the original theory appeared online, a Reddit user Fortuitousfoleyart He suggested the theory of fans linked to the initial song, "Madrigal family". In it, Mirabel sings a line for her sisters, which says: "Beauty and the fight do not make it bad." The hidden flaw here is that the brains usually go along with the beauty and the fight. As the Prophet of Reditor sums up:

"Since Mirabel had already had a brain to take it as a matriarch, she didn't need a gift given by the house, so she gave her sisters the fight and beauty of her sisters, so the three would make a perfect group to lead the family in the future. ".

The Abuella/Mirabel relationship appears throughout Mirabel gifts, apparently - apparently a little reasoning, given their parallel roles in the film. Despite the butterfly shared pictures, this connection is not all sun and roses. On the contrary, after Mirabel tries to accept her gift and appears rejected from the house, Abuela develops a little inferiority filter to her granddaughter. As Mirabel matures, it grows and begins to connect with the cash in unique ways throughout the story, this leads to strain and, ultimately, a conflict between the past and (probably) future family leaders.

During the climate moments of the film, this species boils, leading to a restorative conversation between the two matriarchs. In that meeting, Abuela gives Mirabel a clear narrative after frightening events that led to the death of her Abuello, Pedro, in the ruthless hands of Marauders. This invites Mirabel to a new degree of connection to her grandmother, as the second effectively transmits her mantle by entrusting her granddaughter to the secrets and family history, reinforcing Mirabel's position as the next generation of "brains" within the framework of Clan Madrigal.

The last piece of theory is centered on the door and image of the film. As we can see during Antonio's gift ceremony, when every family member receives his gift, it is done through a magical door forming on the internal walls of the cash register. When they touch their original sealed door, their gift is released, turning the door into a real entrance road leading to their room with threads in magic.

A critical retrospective in the film comes when Mirabel remembers his own bidding ceremony where the door does not give the gift to it, it appears instead. Theory refutes this logic, saying:

"Her gift was the magic in the Wallsids of the cashiepa - they all only missed the visual metaphor."

He adds that when her door is melted, it does not mean she does not get a room. On the contrary, we see Mirabel in the nursery of the home, where she actively directs her attention to the next generation of Madrigals.

The theory adds that when Antonio receives its gift, the magic of the cash register enters the Wallid when it is released. Similarly, when Mirabel again gets his neck at the end of the film, she uses it to open the re -constructed casita. And what's going on? The magic of the home is released, flowing up all over the house and outward in the village.

In the end, watching the cash register as a gift to Mirabel may not be in the spirit of the film. Mirabel's value comes from itself - as is true for all members of her family. That said, the idea of ​​seeing Mirabel as a spiritual successor to Catitas can be a useful way to move the huge popular "Enkanto" franchise forward.

In addition to breaking down the film (and sustainable) Disney+success, Soundtrack "Encanto" actually found himself at the top of Billboard 200 at one point. People couldn't stop listening to the film's songs because they ate the endless attractive melodies of Lynn-Manuel Miranda and they were ready for more. (Miranda is not against the idea.) Assuming that Disney profits the momentum of the property, with Mirabel firmly establishing itself as a new family leader and its primary cassitus connection can be the perfect launch point for a sequel. The story can turn this as a "gift" to Mirabel or become another Abuella - ie. A confident matriarch who does not need a gift to be a confident leader. No matter what way they choose to go, Disney's powers need to clarify this point in the next film so that fans can have a little more than Reddit's theories to move on, as the Encanto Universe begins to spread .