When the Robert Wizz is the "Starweet Starweet: Movement image" Shine in cinemas on December 7, 1979, it was a gift of the fanbase that grew around the "original series" after the NBC canceled in 1969 and a hearty invitation to everyone else to join the Starsing Company. When the $ 44m film earned a disappointing $ 83 million in the United States, the future of Star Trek was again uncertain.

The problem with the film of wise is that it was too respected in tone and, for newcomers, stable compared to the lights and blasters taking place on the "war on the Starwalks". Perhaps the most damaging of all, it naturally has not led to a sequel. Where was the "Star Trek" to boldly go from this epic EP (who found his loud defenders over the years)?

The unexpected answer was to mix Genin's Socially Fare Saga Saga with Naval of Naval for warfare like Patrick O'Brien o'clock and a series of Maturin's books, and submarine films like "Run silent, run deep" and "The enemy inside". Throw in a director who was not a fan of the show (Nicholas Meyer), and you end up with Master "Star Trek II: Khan's Anger". Posted during that magical summer since 1982, Meyer's film made $ 80 million in the United States with a far -reaching $ 12 million budget and remains a characteristic gold standard of the franchise 43 years after its release.

But "Star Trek II: Khan's anger" was not without his risks. In Leonard Nimoy's killing of Spack, the franchise suddenly saw in the future without his favorite character. This was, of course, unthinkable, so the next movie "Star Trek III: The Search for Spack" was to save the character from the unstable planet being. And yet, the most interesting development in Spack's life was conceived before his death in the second film. All went according to the new franchise plan, Saavik, Volcano Protection of Spack, was supposed to be pregnant with his child, which would be discovered at Star Trek IV: The Voyage Home. Why didn't this happen?

As introduced in "Star Trek II: Grate of Khan", Saavik (Kirsty Alej) is a sharp student who is particularly interested in how captain Jameseims T. Kirk (William Shatner) used the impossible victory when faced with Maru's non-winner Kobayashi scenario during schooling at the Starflit Academy. We are immediately intrigued by her because she does not buy Kirk's preparation and, well, alley is just a natural -attracted actor. Saavik is a character with potential, and when Spack is killed (a moment he brings to tears), it seems to be his natural successor to the volcano on the company's bridge.

"Star Trek III: The Search for Spack" that surprisingly saples Saavik immediately in the action along with the other young character introduced in the previous film, Kirk's son, David Marcus (Merrit Batrick), but the dynamics are excluded because, because of the refusal of the studio for the studio. To meet the reasonable requirements of Alay's contract, Saavik now shows the most attractive Robin Curtis. At that time, the redirect was used to transfer Saavik; David briefly stepped in (until he stabbed Clingon fatally), and Saavik felt as follows by the end of the film. With a spack back in the rotation, what was supposed to be done with Saavik?

There was a plan, and it is probably the best that Star Trek braintrust abolished at the time.

At the beginning of "Star Trek IV: The Voyage Home", Saavik makes an iousebopite decision to stay on the volcano. She is a fast -growing officer in Starflit, who earned an unstoppable mentor in Spack. Why would she hang out on her home planet when she only featured Kirk's suspicious supervision?

The answer is that she is before wearing the child to Spack.

It is much to spring to the audience regardless of their closeness to "Star Trek". Given what we know about "Star Trek IV: The Voyage Home", the highest film with the characters of "Original Series", it is impossible to imagine the director integrating this heavy conspiracy into a trip time with time of travel- Especially when that director was Spack himself, Leonard Nimoy (With a strict entrance from William Shatner).

In an audio commentary on the shortened DVD of "Star Trek IV: The Voyage Home" director, Nimoy said it was more intriguing to leave a volcano Saavik "with potential information expected by Spack's child." Producer Harve Bennett later stated that Nimoy is never pleasant to follow this spack plot - which would be very much to throw the image after he was just risen.

After all, the Spack-Saavik bow was completely cut. While this was the right decision, it led to the unusual horrific choice to give up Saavik together. "Star Trek IV: The Voyage Home" withdrew the last performance of the character; As far as we know, she stayed on a volcano and led an unnoticeable life. It is a depressing betrayal of a character who possessed such an incredible promise and, to this day, "Star Trek" has not expressed much interest in returning.