First of all, O'Brien's performance as a novel is fantastic independently. While the character has a loud, angry outbursts of his mother, which seems to be a major part of their relationship that resonates from his younger years, it is more intense, reflective moments when the actor deserves the most praise. The pain in his eyes is obvious, suffering from the loss of his twin brother, but also holds to a certain bitterness of the later, alienated phase of their relationship, where he felt left with his more intense and leaving the brother. The gears in his mind are always spinning, thinking about the time he once had with his brother and thought about how he would live without him.

But O'Brien's order as Rocky makes his portrayal of the Roman glow even more. Rocky is gay, attractive and charming, although he can sometimes be a little unusual, especially when referring to his brother. He's a mustache sport, and O'Brien carries Rocky with just enough congestion and self -esteem to clearly define him from the Roman without overdoing him.

Of course, the best part of O'Brien's performance still lies in the Roman, especially when a discovery of anger, sadness, sadness and feeling of almost unstoppable betrayal at once. We will not spoil it here, but we only know that Dylan O'Brien's performance in this film is none of the top, and I hope we will see more of this caliber at work.

If you want to hear more about "Twinless", as well as the other films we saw during the 2025 Sundance Film Festival, check out the latest episode of the Daily Podcast right here:

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