The 1990s was a golden age for cartoons. Following the creative bankruptcy of toy ads as a 80s TV shows, we got a phenomenal, visually inventive, cartoon that performs a border after another in the 90s. One of the best plays of that decade It was a "lab of Dexter". Created by Maestro Gendy Tartakovski, the show was the first cartoon show to turn into a series. Followed by the title Dexter, a boy with an engineering skill, who is in constant coefficients with his older sister Di Di, who continues to enter Dexter's secret laboratory without his permission and interfere with his experiments.

The show was a huge hit, responsible for starting the careers of many veteran animators like Craig McCracken, Rob Rensetti, Seth McFarlane and Buch Hartmann, who each They continued to create successful animated performances on their own. You can see the impact this show has had on every generation of cartoon network shows and how it establishes a spirit of bold creativity and visual experimentation. There are anime hogs, references to Hannah-Barbera, swords of struggles, superheroes in the universe and much more while establishing Tartakovski's stories in a way that made "Dexter's Laboratory" unique among contemporary cartoons, such as use of silence about telling stories and focus on striking images.

No matter how popular and successfully as the cartoon, producing four seasons and 216 unique segments, there was an episode that never saw the light of day - and for good reason.

Shortly after being erected in a series, "Dex Laboratory" received 39 half -hour episodes at once (besides the original sequence of the 13 episodes). This meant that writers and animators had to come up with many new ideas over everything that was part of the initial terrain and do so at a fast pace. Surprisingly, some of the ideas were a little out of the ordinary, and they weren't for the high episode order, they probably won't be written.

One such episode is "Rough Removal", directed by Rob Rensetti. Renzetti spoke with /film about the making of the episode, for which creator Gendi Tartakovski was not so thrilled at the beginning. However, with 39 episodes of three cartoons to write, there was not so much space to be picky. "This episode came out of that anger on" Let's try anything, "Renzetti said. "It was one of those ideas that you think are funny, but you do not know that the network will sometimes allow us to do so, but what the hell should be provided this week so that we can deliver this and see What happens. "

The segment includes Dexter accidentally putting itself and Di di in his last invention, a machine that divides people into an ITEUBER half and a rough half. This results in the ITEUBERS Dexter and Di Di have British accents, while the roughs have thick accents in the newuorque and constantly sprayed vulgarities.

"The review was delivered and the network wanted it," Rensetti continued. "We were like," really, are you sure? You know that the characters are basically swearing. " We were very much in advance about what the concept would be, but they said it was good at every turn. They were confident, but the network always said yes, they went forward with that. "

Then came the session to shoot the voice. The actors, Christine Cavanau and Allison Moore recorded every line of dialogue with the words included. "It was the funniest shooting session I've ever been," Rensetti recalls. "The vocal actors wanted to do it, I can swear by the voice of character. We all fired every word for swearing, because without them there would be no same impact on the performances if they were not able to let go. " Although obviously, rough versions of the characters attract the attention and the big laughter, the butterial characters are equally surprising, especially Dexter and his strange accent at the top of the British accent. "It went very smooth, and we finished the episode and presented the network and finally heard:" We cannot broadcast this. "

"Ground removal" never made him broadcast. However, the episode eventually began to make the circles of festivals and conventions, until adult swimming eventually announced the entire intersection of YouTube in 2013. Today you can even find a non -bead version where Dexter goes to the city speaking as a sailor.

What makes the episode iousubopitic is that it never received network notes to change the language (or lack of them), but the network fully supported its production - until they did so. Maybe it was a victim of controversy by network branches and stations, such as "Cow and Chicken" was with the red man.

This is an episode of the "Laboratory of Dexter" that has never made him broadcast, the only one that experimented with a radical change in the way the characters acted. As Renzetti said, "We know what the show is and we stayed in the pocket of who and where the characters are. We didn't want to cross a line or push barriers. "