Cinematic sensational projects often share the same lines of expectation in the form of up-and-coming actors, no star power, budgets tighter than a violin string, ready to snap a second under too much pressure, and studio backing that many established filmmakers arrive at after proving themselves over time. It is a lack. Francis Ford Coppola's latest trip is $136 million Megalopolisa cast full of A-list actors and the seemingly endless financial resources generated by Coppola's personal fortune changed the game by proving how he couldn't save a film that was clearly doomed from the start.
After sitting down and watching the 138-minute dystopian science-fiction saga, a new line has been added to personal passion projects: the unproven ego.
It's not a big stretch to compare. Megalopolis Two self-proclaimed auteurs who personally finance their own projects and push for their unwavering, unflinching, creative visions, performing on ego-driven projects led by Tommy Wiseau or Neil Breen.
Financial talks
to manage oneself Megalopolis, Francis Ford Coppola Sonoma County sold its wineries to Delicato Family Wines in a $650 million equity deal, taking $200 million out of the deal to pursue an artistic vision it had spent 40 years trying to fully realize. With the wealth he amassed, Coppola was finally motivated to make his passion project without any studio interference.
Star power only works if the screenplay makes sense.
With a high-caliber budget comes high-quality talent, and there's no shortage of A-listers featured in it Megalopolis. While it's easy to blame B-movies (or MegalopolisIt became clear to me after watching that (what I call a high-budget B-movie) that inexperienced actors are tasked with telling the story. Megalopolis Even that Adam Driver Coppola couldn't help himself from reciting Shakespeare as if he were a marionette being controlled by a puppeteer as he looked directly into the studio lights before saying "action."
An A-list cast and a straight-to-DVD plot
Set in New Rome, an alternate version of New York City, the pilot, Cesare Catalina, is a brilliant but troubled Nobel Prize-winning architect and chairman of the New Rome Design Authority, who has a conceptual blueprint for a utopia called Megalopolis. He also has the power to stop and start time at will, allowing him to figure out how to execute his grand plans under the radar. Cesare's mental and metaphysical gifts were limited by his severe alcoholism, which resulted in his wife's mysterious disappearance many years earlier and his failed attempt at her murder.
Caesar's idealistic opportunity is accompanied and opposed by the conservative mayor of New Rome, Franklin Cicero (Giancarlo Esposito), his directionless but opportunistic cousin Claudio Pulcher (The Campaign).Shia LaBeouf), his super-rich uncle Hamilton Crassus III (Jon Voight) and his now-ex-lover, TV personality Wow Platinum (Aubrey Plaza).
When Cesare suddenly loses his ability to use time, he falls in love with Julia Cicero, Franklin's daughter, after she learns that his muse-like presence restores his artistic and temporal abilities, much to her father's satisfaction.
Meat without bones
General plot line to Megalopolis It makes for a compelling futuristic melodrama, but when each sliding piece of the puzzle fails to connect, everything begins to fall apart. While there are no great stylistic choices on Coppola's part to make postmodern America resemble the fall of the Roman Empire, style alone cannot tell the story, which was in excess and disorder before the crackdown hit and it completely collapsed. No matter how beautiful it is to look at.
rather than Megalopolis These cinematic bones are brightly colored, seductive Vestal Virgins, rampant urban upheaval, a supporter population in perpetual civil and economic unrest, and Jon Voight turns them into pulp for the viewer to digest. Pretending to be a rainbow buried under his bed is a revenge plot against his niece, Claudio, who conspires with Wow Platinum to take over the bank.
Cinema glasses
Megalopolis Godly, timeless, idealistic yet psychologically expressive characters portray the same characters you see in films by the likes of Neil Brien. Double down, I'm here... Now, just passAnd Fate findsTo name a few. And I assure you that it is not lost on me that it is unfortunate that Neil Breen has been able to successfully fund his own projects in architecture.
In my mind, Coppola's fearless creation Megalopolis He deserves a lot of credit because he had a vision, he stuck to his guns He did The thing The way he wanted to do it. The jury may be out on whether what's in question is worth your time, but if you're interested in B, C, D, and Z-rated movies, you owe it to yourself to see how even the most decorated filmmakers swing. And without someone challenging their vision along the way, they miss it.
You can look up to this article. Megalopolis on demand Through Amazon Prime Video, Google PlayAnd Fandango at home.
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